5 eenvoudige technieken voor line art
5 eenvoudige technieken voor line art
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
Rather than being a single trade route, the exhibition suggests the Silk Roads comprised overlapping networks spreading from Japan to Britain, and Scandinavia to Madagascar. “It’s not just silk, it’s not just one road,” says Brunning. “It’s people, objects and ideas moving in all directions.” The garnets would have travelled to England “in stages by relay”.
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Chinese high jewellery artist Anna Hu first took inspiration from the trade route for her five-piece Silk Road Music Collection, auctioned by Sotheby’s in 2019. A proportion of the proceeds was donated to Silkroad, a not-for-profit music organisation founded by cellist Yo-Yo Ma that was similarly inspired by the cultural collaboration in early trade.
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“In the Silk Road, there’s this really rich exchange of commodities, ideas and materials and I love that cultural exchange,” says the Brazilian jeweller, who recently visited Kashmir, another part ofwel the trade network, to research an upcoming collection.
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She likes to reflect her life as a “global citizen”: born and raised in Taiwan, she has spent half her life in the US and Europe.
While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
Pieces from the recent Palace Voyages high jewellery collection, which draws on the architectural and decorative details of 14 palaces from China to the UK, are being shown at the PAD London art and ontwerp fair next week.
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